Romanticism: movement in western culture begining in the eighteenth and pearking in the nineteenth century as a revolt against Classicism; imagination was valued over reason and fact.
Satire: ridicules or condemns the weakness and wrong doings of indivduals, groups, institutions, or humanity in general.
Scansion: the analysis of verse in terms of meter.
Setting: the time and place in whcih events in a short story, novel, play, or narrative poem occur.
Simile: a figure of speech comparing two essentially unlike things through the use of a specific word of comparison.
Soliloquy: an extended speech, usually in a drama, delivered by a character alone on stage.
Spiritual: a folk song, usually on a religious theme.
Speaker: a narrator, the one speaking.
Stereotype: cliché; a simplified, standardized conception with a special meaning and appeal for members of a group; a formula story.
Stream of Consciousness: the style of writing that attempts to imitate the natural flow of a
character's thoughts, feelings, reflections, memories, and mental images, as the character experiences them.
Structure: the planned framework of a literary selection; its apparent organization.
Subordination: the couching of less important ideas in less important structures of language.
Surrealism: a style in literature and painting that stresses the subconscious or the nonrational aspects of man's existence characterized by the juxtaposition of the bizarre and the banal.
Suspension of Disbelief: suspend not believing in order to enjoy it.
Symbol: something which stands for something else; yet has a meaning of its own.
Synesthesia: the use of one sense to convey the experience of another sense.
Synecdoche: another form of name changing, in which a part stands for the whole.
Syntax: the arrangement and grammatical relations of words in a sentence.
Theme: main idea of the story; its message(s).
Thesis: a proposition for consideration, especially one to be discussed and proved or disaproved: the main idea.
Tone: the devices used to create the mood and atmosphere of a literary work; the author's perceived point of view.
Tongue in Cheek: a type of humor in which the speaker feigns seriousness; a.k.a. "dry" or "dead pan"
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